11th Annual Emerging Japanese Artists' Exhibition
March 2nd-11th 2018
Thursday to Monday 12–6pm WAH Center(Williamsburg Art & Historical Center )
Opening Reception :
March 2nd, Friday 6:00~8:00pm
JART8TH is an art exhibition introducing new waves of art of young Japanese artists from Tokyo, collaborating with NY artists.
The program consists of all genre of art: painting, wood-block printing, photography, object, contemporary craft making, installation, screening, performance, so on and so forth. You can see the artworks of over 20 young Japanese artists.
NY / Sonomi Kobayashi, Yusuke Ochiai, ABEYUKA.、Jonathan Yukio Clark, Kiichiro Adachi, Kumi Kishida,ON megumi Akiyoshi, kirika Shirobayashi TOKYO/ Chiharu Hamada , Azusa Kubo, Yu Isogawa, Chihiro YAMAZAKI , Emi Moriyama, Kotaro Otsuka, Hiromi Sugisakim, Kotaro Takahashi, Risa Kuroda, Nanae Yamanaka, Lytz, Yuka Naoe, Ai Yoshida
Direction / Hiro Shoraishi PEPPER’S PROJECT
Support/ Yuko Nii WAH Center
Williamsburg Art & Historical Center, also known as WAT Center, is an NGO established in 1996. The venue was first built in 1867 in Williamsburg, Brooklyn, and has gone through renovations. The venue is open to vicinities, domestic and international organizations for exhibitions, conferences, educational and cultural events and conventions.
In late October 1996, Yuko Nii founded the not-for-profit WAH Center (Williamsburg Art & Historical Center) based upon her Bridge Concept. That concept envisions a multifaceted, multicultural art center whose mission is to coalesce the diverse artistic community, and create a bridge between local, national and international artists, emerging and established artists, and artists of all disciplines. Thus, through the iInternational language of art we come to understand each other to create a more peaceful and integrated world. The WAH Center is a force for peace and understanding and its concept is incorporated in its acronym: “WAH” in Japanese means “peace” or “harmony” or “unity”.
Williamsburg Art & Historical Center (WAH Center)
Located at the corner of Bedford:
(718) 486-7372 or (718) 486-6012
OPEN HOURS :
Thursday to Monday 1–6pm
Azusa Kubo (Tokyo) paper cutting work Washi paper has existed since antiquity. This graphic work explores new possibilities for traditionally made watermarked washi. I learnt how to make washi from a craftsman in a small town in Niigata from the hot summer to the snowy winter. Being from Tokyo, everything about the town, where trains are absent and nature abounds, was new to me. I recorded everything I saw and experienced in that countryside environment as sketches and graphics. Then, using the craftsman's workshop and tools, I carefully rendered those designs as watermarked washi. To emphasize nature, I used mulberry fibers bleached naturally with snow. This non-chemical bleaching method is unique to the snowy region. I am a graphic designer, so I made washi with that mindset, not as a traditional handicraft. By developing the completed washi into a range of accessories, I sought a new way for people to experience washi, and to connect people and graphics. Azusa Kubo was born in Japan in 1990. She studied oil painting at high school, before pursuing design to postgraduate level at Tokyo University of The Arts. She has worked as a graphic designer/illustrator at an ad agency since she was at graduate school. In 2013, she was given the award for excellence at the 10th AC Japan Student Ad Awards, and in 2017, she received the Tokyo Taito ward mayor's Special Recognition Prize. She recently held an exhibition at a Tokyo branch of Uniqlo in 2017.
Emi Moriyama mixtmedia Tightly condense the large Exhibition space into one box, I want to keep space as it is in this hand.. With that kind of feeling, I gathered materials that I fell in love at first sight at the coast of Fukui and the university, and I make love each time I meet materials every day. Born from Fukui Prefecture 2015 Osaka University of the Arts Junior College 2017 Osaka University of the Arts graduate. Exhibition ART OSAKA 2016 AHAF 2016 (2016. Seoul) SICF 18 (2017. Tokyo) ART OSAKA 2017
Yu Isogawa I need things, phenomena, backgrounds and so on Connect actions together. I wait for a newly formed relationship with the works. From Tokyo 2014, I entered Tama Art University. 2015. TransRation(Group show) Opening performance Five Art College Exchange exhibition 2016. Performance YUKA (Performance show) I put a pillow in ice and sleep (Performance show) A mountain on the window （Performance show) 2017. Tokyo Wonder Seeds 2017 chosen
Chihiro YAMAZAKI (Tokyo) photograph India has been colonized by the British Empire for about 200 years and has been afflicted by the negative heritage even now 70 years have passed after independence. When I asked Indian friends "Whether do you hate the British or not", they said "We gave them a lot of things, and they also gave us a lot". Perhaps, I thought they were talking about infrastructure including railroads, economic growth due to the spread of English, and cricket. I made no mention of the fact that the railroad was made just for the British by Indian’s money and labor, and that English is one factor that expands the disparity of wealth. Because I felt beautiful when I saw them appearance to play cricket. This work is taken pictures of Indian people who play cricket on the ground that was drawn flag of the Indian Empire by me. By capturing a scene that their tragedies fall into oblivion by themselves, I express the irony and hope of Indians. Born in Japan in 1990 Ph.D. in Arts, Tokyo University Of The Arts, Tokyo/Japan I present contemporary artwork with the theme of "invisible dominate".
Chiharu Hamada (Tokyo) paintiing The theme of this work is painting and viewer. I think that a painting and a surrounding space cannot be divided fromeach other in exhibition area. The area on which a painting has an effect includes viewers. If an art work contains the “area affected by a painting,” what will happen when one draws a borderline between a work and the other things? Who draws the line? What is the need for the borderline? Where are beholders in fact? Inside a painting or outside? What meaning do they grasp from an art work？ 1994 Born in Kagoshima, Japan. 2017:BA from the Department of Japanese Painting, Musashino Art University. 2017: Award of Distinguished Degree Work, Musashino Art University. 2017: Scholarship from the Sato International Cultural Scholarship Foundation. 2017- pres. : MA student of the Japanese Painting Course, the Graduate School of Art and Design, Musashino Art University.
Kotaro Otsuka (Tokyo) paintiing A thing and information overflow. They continue being used, and, in the present, I see only a cast-off shell in every scene. What is "existence" of the cast-off shell? And at the same time I of feeling of "absence" feel. I want to show a new "sense of the existence" using "existence" and "a feeling of absence". 1994 Born in Osaka, Japan 2017 Department of Fine Arts at Osaka University of Arts (Graduation) Exhibition 2016 AHAF 2016 (ASIA HOTEL ART FAIR SEOUL) guest (Seoul) 2017 ASYAAF 2017 (Asian Students and Young Artists Art Festival) guest (Seoul) Competition 2016 BIWAKO Exhibition, Selected (Shiga) 2016 62nd All KANSAI Exhibition, Selected (Osaka) 2016 33rd MITSUBISHI CORPORATION ART GATE PROGRAM [Charity Auction] Selected & Sold (Tokyo) 2017 Osaka University of Arts Graduation Exhibition, NABEI Award (Osaka) 2017 37rd MITSUBISHI CORPORATION ART GATE PROGRAM [Charity Auction] Selected & Sold (Tokyo)
Hiromi Sugisaki (Tokyo) printmaking To my pitiful and beloved. There is a proverb "Rust from the body". I spent the same time and after a lot of shilly‐shallying, the work which became this figure seemed as if I was watching me. 1993 Born and raised in Kanagawa. 2015 Studied abroad at École National Supérieure D’art de Paris-Cergy. 2017 Graduated from JOSHIBI University of Art and Design, Field of Visual Design.
Yusuke Ochiai (NY) installation All of my paintings represent my emotions and experiences at that particular moment of my life – whether stemming from reality or my own imagined dreamscapes. My current path/character/interest/infatuation/ is Poi. Poi is Path Of Imagination. That’s exactly how I found him, through my own imagination – but now Poi manifests himself in countless forms, on paper, in concrete, and with paint immersing himself in the colors I absorb. Yusuke Ochiai was born in Tokyo in 1977 and became entranced with the vibrant colors of his surrounding Japanese landscape at five years old, mixing and matching materials ever since. Today, he lives and works in Bushwick, Brooklyn and has been participating in Bushwick Open Studios in Brooklyn since 2012 and continues to display his interest in color through his work as a New York City street artist.
ABEYUKA. (NY) painting ABEYUKA. is an oil painter/contemporary artist/Performer. She was born in 1986 in Tokyo, Japan. She studied at Tokyo University of the Arts, Japan, (formerly, Tokyo National University of Fine Arts and Music), where she received her B.F.A. in 2009, her M.F.A. in 2011.She incorporates her philosophy about human beings and lives into her art as well as her own life.Currently based in New York City.
Sonomi Kobayashi (NY) printmaking Born and raised in Japan, Sonomi Kobayashi, is a New York based painter and printmaker who is interested in science, physics, stars, nature, and spirituality. Her work is symbolic and abstract. Her recent oil paintings are based on images that she saw during her meditation. She also paints symbolic shapes that she finds attractive in nature. Her ink drawings and printmaking works are organic and abstract. She likes to mix traditional and contemporary techniques and experiment with materials, color, and shapes. Her work has been exhibited in the United States, Japan, and Europe, including Williamsburg Art & Historical Center (NYC), Lesley Heller Workspace (NYC), Galerie ARTAe, (Leipzig Germany), Galerie La (Ginza, Tokyo, Japan), and will be shown at The National Art Center Museum (Tokyo) in 2018. She received Will Barnet Grant in Printmaking in 2013, and got accepted a residency at MASS MoCA in 2017. She also earned scholarships and has done residencies at Vermont Studio Center(VT), Vytlacil Campus, (NY), and Cat'Art Contemporary Art Centre (France). She received studio certificate in painting from The Art Students League of New York, and also studied sculpture and printmaking there.
Kiichiro Adachi (NY) mixed media I practice to release the meaning from every objects by treating like a toy. There are two ways for thing obtain the meaning. First case, something has arrived there accidentally or naturally and acquired the meaning. The other one is gained the meaning arbitrarily. It plays a social role and is sometimes symbolized as a sign. I pay attention the latter. Fundamentally these were considered for benefit or contribution for society. However we have to remember the shade exist behind it. Sometimes it make a discord or restraint. As a result our thought and physical would be gotten weak. I try to control these human made meanings by demolition, substitution, rewriting, added and so on. I express it as treating it like a toy. A toy is the a device which take a boredom away from children, it looks a cheap trick at g glance. However it would be treated as equivalent, regardless of whether it is sublime or humble. Actually many ancient toys quoted from religious motifs. I desire to release the acquired meaning for particular society and to return it to nature. Kiichiro Adachi (born 1979, Osaka, Japan) lives and works in New York. Adachi’s work has been exhibited in the following exhibitions Meets ART-the casket of the forest, Hakone Open-Air Museum, Japan, 2014; Trans-Cool TOKYO, Taipei Fine Arts Museum and Singapore Art Museum, 2011; Busan Biennale, 2010; No Man’s Land, Embassy of France, Japan, 2009; When Lives Become Form, São Paulo Museum of Modern Art, Brazil, 2008; Space For Your Future, Museum of Contemporary Art Tokyo, Japan, 2007.
Kumi Kishida (NY) painting My work represents my own subjective world, which highlights the energy, beauty, and ugliness of life forms in the universe. All forms of life return back to the earth after death, like leaves that fall to the ground from the trees and become the source of new buds. Each organism, including myself, carries the legacy of our ancestors as well as completes a loop connecting us with future generations. By depicting these natures of life forms through my personal lens, I am exploring how I myself am one of many organisms living in the universe. I draw inspiration primarily from actual observations, and I transform these observations into fantasy. My aesthetic stems from the concept that in our rapidly changing world, people forget to focus their minds on a single task. My work offers the viewer an opportunity to dialog between my representations and their unconscious minds. My aim is that the integration of figuration and abstraction appeals to a viewer’s sense of humor, and lures them to meditate upon what human beings should be. Kumi Kishida was born in Japan on September of 1990 and currently lives and works in Brooklyn, NY. Kishida received her Bachelor of Policy Studies from Kansai University in Japan in 2013. In the spring of 2013, she moved to New York and earned her BFA from Brooklyn College in 2017.
Jonathan Yukio Clark (NY) sculpture The studio is a venture for me to investigate how the experiential defines spatial and emotional perception. I feel that my works are an attempt to navigate not only physical space, but also my own understandings of cultural location, genealogy, divides between the outdoor elements and the constructs of the domestic interior. A cross-section of my studio might reveal dyed silk, pine chips scattered from carvings, planar sculptures born from folded paper and realized in hardwood, sketchy drawings of layered vistas. Each vein of work manifests in distinct forms, but they iterate different paces of the same breath. Jonathan Yukio Clark is a multidisciplinary artist based in Brooklyn, New York. Born and raised on the island of Maui, Hawaii, he traces much of his work from his relationship to place and his understanding of heritage as a descendant of Japanese immigrants. He has spent much time in Japan, including living in Kyoto for one year to study printmaking at Kyoto Seika University, and he recently completed his M.F.A. in Studio Art at New York University.
ON megumi Akiyoshi (NY) performance To find a balance of both elements, I’ve been continuously experimenting. One is to invite viewers, and the other is pursuing a moment of magical beauty. Therefore, most of my projects become participatory-interactive performance, sculpture, paintings, and installations. Flowers that frequently appear are representing perpertuity with its friendliness. ON gallery Started out as a moving gallery right after when I saw a lady in the New York subway selling toys. I felt "I want to do such a thing in a way I can". ON gallery appears various sites as an organic white cube. 1997 BFA Tokyo University of the Arts, Tokyo 2002 MFA School of VISUAL Arts, New York Currently she lives and works in New York. She has exhibited/performed/given artist talks in museums and international exhibitions at: Brooklyn Museum (NY), Incheon Biennale (Korea), Japan Society (NY), Atlanta Art Center (US), Singapore Museum, MOCA Shanghai, Burgos Art Center (Spain), Tokyo University of the Arts Museum, MOCA Taipei, Kunsthaus Dresden (Germany), etc. Her works were reviewed/introduced in: New York Times, ABC (Spain), Schaffhauser (Switzerland), El Mundo (Spain), Art Asia Pacific (NY), Sports & Street (Italy), Korea Times, Brooklyn Independnt TV, and art history books published by New York University and Yale University.
Yusuke Ochiai [DOT to DOT] 3 minutes 30 second / experiment video
kiriko Shirobayashi [Surg] ３mins / experiment video
Ai Yoshida [LULLABY] 1minutes 44 second / 3DCG animation
Kotaro Takahashi [TERU TERU] 2 minutes / animation
Risa Kuroda [Slug] 7 minutes 15 second / animation
Nanae Yamanaka [false dream] / animation
Lytz [MOVE ON] ４ minutes / animation
Yuka Naoe [Our memories] 1minutes 54 second / animation
Yusuke Ochiai (NY) experiment video [DOT to DOT drawing on Manhattan and Brooklyn] 3 minutes 30 second 『Poi hopes for your happiness and will always be there for you.』 There are many Jizou in Japan. Jizou are small stone statues that act as ancient guardian deities of towns in Japan. People greet, talk to and pray to them and I myself always greet them when I come across them. In the back of my mind, I always felt that the Jizou could help me to deal with things such as matters of the heart and soul. I wanted desperately to embody something that I believe in and out of this came Poi. Because I now live in NY, I can no longer greet Jizou, so I decided to create my own - hence how the character Poi came to be in NYC. Poi hopes for your happiness and will always be there for you. Yusuke Ochiai was born in Tokyo in 1977 and became entranced with the vibrant colors of his surrounding Japanese landscape at five years old, mixing and matching materials ever since. Today, he lives and works in Bushwick, Brooklyn and has been participating in Bushwick Open Studios in Brooklyn since 2012 and continues to display his interest in color through his work as a New York City street artist.
kiriko Shirobayashi (NY) experiment video [Surg] ３mins I had been capturing images that passed before me, assuming I had endless time to revisit them. However, I realized nothing is forever, even the images themselves. Recently, because time is precious, I have started to shoot without hesitation This simple work took me back to the time when I had just started photography. A time when I was shooting without pretense, and After graduating from Osaka University of Arts, I moved to the United States and went on to graduate from the School of Visual Arts with a MFA in Photography and Related Media. I have been showing my video works at centers around the US, including: Chashama Theater Times Square, Paula Cooper Gallery, Zoellner Arts Center, Delaware Center for the Contemporary Arts and Allentown Art Museum
Ai Yoshida (Tokyo) 3DCG animation [LULLABY] 1minutes 44 second The theme of the 3DCG animation is loneliness. It is the story of mother and child who do not talk at the restaurant. I would like you to think what you made a person lonely. I wanted to make that opportunity and produced this work. I am a university student. My school is Musashino Art University.I major in 3DCG. I love reading books and I like watching movies.
Kotaro Takahashi (Tokyo) animation [TERU TERU] 2 minutes It is a short story about Teru teru bozu. Teru teru bozu is a doll made of white paper, it will bring good weather for the next day. [CARDS TIME] 2 minutes It is the animation about cards. Born in Niigata, Japan in 1980. Studied movies in many schools, and now he works as an animator. YouTube channel → 65ailes
Risa Kuroda (Tokyo) animation [Slug] 7 minutes 15 second The main character of this story is going into himself. He really hates himself, wants to disappear from the world and feels like he is the poorest person in the world. He is mentally very weak and just looks like an artist who made this animation. The artist came up with the idea for this animation from an comic “Slug” that is made by her. The animation was made under the theme of self-disgust that she would feel in her life and an ambivalence about it. Born in Japan 1994.Graduated Tama Art University department in Graphic Design in 2017.Studied in Animation class. Many of artworks deals with self-hated and anguish of heart. It’s comes from trauma of can’t loves own and don’t loved to own neighbours. Now working as Graphic Designer for job in Tokyo and making many designs by own illustration. In addition, making illustration and comics in personal life.
Nanae Yamanaka (Tokyo) animation [false dream] I expressed my colorful and dark world with my picture. I like to draw colorful pictures. After graduating from Joshibi art university in March 2017, I am producing illustrations and images at a video production company.
Lytz (Tokyo) animation [MOVE ON] ４ minutes This is a one of my Exposure therapy. Lytz is a japanese artist. She leaned graphic design at the art university, Tokyo.
Yuka Naoe (Tokyo) animation [Our memories] 1minutes 54 second Our "memory" is ambiguous. I can not forget, remember, like "afterimage". Information received from the vision remains in me and remains in an ambiguous state. I thought about such "memory" and "visual" and expressed it with handwritten animation. Graphic and web designer E-mail:firstname.lastname@example.org
Yu Isogawa (Tokyo) installation I need things, phenomena, backgrounds and so on Connect actions together. I wait for a newly formed relationship with the works. From Tokyo 2014, I entered Tama Art University. 2015. TransRation(Group show) Opening performance Five Art College Exchange exhibition 2016. Performance YUKA (Performance show) I put a pillow in ice and sleep (Performance show) A mountain on the window （Performance show) 2017. Tokyo Wonder Seeds 2017 chosen