4/5mon~4/24sat AM11:00~PM7:00(sun~PM4:00)
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4/5mon~4/24sat AM11:00~PM7:00(sun~PM4:00) |
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[PART1] "The form of preservating" 4/5mon~4/10sat |
| TAMIO GOTOH |
[The Town]
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| MAYA AIKAWA |
[Days],[The room]
 The sunday morning. Iam still sleeping. A sound of knock. .......... I ignore it. Suddenly, the locked door is open. Land lady come with a smile. And said "Are you there ? " She brout my parcel to me. The next day of rcmoval. I go to my friend's place because nothing doing. ...........Land lady say. "I moved it, your room's wiring was bad. That's why. " The next room. Moan of ecstasy. Morning, day time, no finish all day hear. |
| TAIZOH SAKAMOTO |
[The annual ring]
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| KOHJI HAYASHI |
[A sign]
 matrials/Stone paint,glue,sumi,tinleaf and tin powder on hemp paper. Born in 1960 Graduated from Tama art university(M.A)in 1986 ( Department of Traditional Japanese painting.) One man show.(1987. Tokyo 1989.Kyoto) Group Sen.(1995~,Kyoto) Philip Morris Art Award 1998 Final Serection.(Tokyo International Forum) |
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[PART2] "The form of symbolizing" 4/12mon~4/17sat |
| YOSHIKO UEHARA |
[The forest]
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| NAOMI AKASAKA |
[WoRK WoRK 1999]
 One day Unconcerned in a corner of spirit Little and little...... What a this way I have done! And putting a feeling it. (From WoRK Work) materials/BRESDIN Paper, Water-painting. [Now What ever is "IKITEIRU"] Everybody possible things Only you cherish things Only I can do What landscape of spirit I wonder that is worthly of "SPILIT VIEW" Tomorrow, I think with you. materials/Canvas, Oil-painting. "SPIRIT VIEW " Peopie reflect a view. It is infinite posslbie in spilit for ever and ever........ (From WoRK Work) Born in Tokyo 1975. Live in KANAGAWA. I graduated from Tokyo National University of Fine Art and Music in Oil-painting. While in University, I experienced What was thought on others because of accidents. It is caused, I performing a Would-be ART WORKER. In the future, I making plans for THE NETWORK PROJECT, please connection!!Interest in MY WORK. |
| KANAKO ISHII |
[Tsurumaki north 1st]
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| HIROKO KUROSAWA |
[Landscape]
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| KEIKO KUMAZAWA |
[The other side of the hole] |
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[PART3] "The form of Operating" 4/19mon~4/24sat |
| NAOKO SHIMIZU |
[map],[point]
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| KUMIKO SOGA |
[present?]
 The day carried. The second day. The third day. the fourth day. the fifth day. ** Let"s look this landscape, and peel off only one piece can you find somethig new ? media /foto, peter profile/Musashino Art University |
| RYOKO HASHIMOTO |
[Toilet]
 I suppose that human who excrete in toilet although originally that act has animality, is so social and cultural. Toilet ; an individual, introvert, shut space where once you flush ,whole things will disappear,made me associate as follows. 1)Space which covered only with wall =shallow idantity,individual,privacy. 2)Human who cannot deny onesely as animal after all. 3)Man's irresponsibility for what he produces ; If one pours water, all things will be finished. 4)Weakness of human who cannot contradict to the nature, this time , I shaped these thoughts into the toilet. I planned this toilet with the cocept "Large and narrow, clean and anxious toilet" , basd on above images of toilet. matrials /veneer boaed, acrylic board |
| REI HANADA |
[skeip]
 what is the minimum thing? > what is the maximum thing? [genuine or intricate] what are you ---? where are you ---? [skeip] is [all but nothing] [in disquise --- when, wherer, what,who and how- materials/plasticizathon & light BornSeptembor 1st,1977 EducationShirayuri HighSchool,graduated 1996. Tokyo Zokei University(Faculty of Art),undergraduate(4th) |
| MASAYUKI SAKANE |
[The age of the aspect,imminence -Turning point of the symbol-]
 e-mail:m-sakane@sannet.ne.jp |
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