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Pepper's Project Exhibition Image Sight 2000 3rd  2001.6/4mon~6/30sat(sun:close) 11:00am~7:00pm(sat~4:00pm) The audio-visual media as a new domain of expression swiftly increases the new possibility of art. Image Sight 2000 is the project that watches its tendency. This project is continued after that of Image Sight 2000 1st (2000.01) and of Image Sight 2000 2nd (2000.09). We hold the experimental trials more dynamically, which are associated by both the Pepper's Gallery and PepperŐs Loft Gallery. |
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6/4mon~6/9sat Digital Contents Week |
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| NORIYUKI WATANABE AKIRA OKABE KOHSAKU SAITO |
: | [interactive work]  visually expressing the time in Tokyo and the space among the people, and making real-time collaborations with the audience. ** We pay attention to the peculiarities of the construction of the city, Tokyo. One of those is that it has two aspects, the ground and the underground. It is because they have the insufficient area to use. Various floors have various colors in Tokyo to use the underground territory. One can find quite different scenes at the same location by the floor. We choose Shinjuku as an object since it is the symbolical area, which has city construction of both ground and underground. There seems to be two cities, ground one and underground one, in the same area by its structure. You can see the people acting differently in the other floor even at the same position. Of course, the atmosphere differs. We intend to show the difference spaces in this work, using QTVR panoramic images, at the same time showing the scene of the point. Moreover, we prepare the notes expressing the description and mood of it. One may feel three-dimensionally the relation by using this system, which is not ever felt by anyone. We think and seek the possibility of developing it to make the navigation system for the mankind. |
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| YUSUKE OHKUBO | : | [hallucinations]  exhibiting experimental work for a week, intending to be generate collaborations with the audience under the workshop form, and making work more qualified. The studio will be moved into the gallery for a week. |
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| YOSHIMITSU FUNABASHI | : | [I am a television]  |
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| MAKOTO IGARASHI | : | [speculation] installation Those who enjoy art are eternally in the position of something humiliation. The bright and euphoric malice is latent in every art, which has make fun in treating people who are delighted with given humiliation. (from the notes by literary artist) |
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| KIYOSHI NUNOKAWA | : | [timemass] The non-language language visual language in the transfer process born by a size, a color, space, the sound, the form, the texture, etc. We read the meaning of a non-language simply and pass judgment on the basis of the read message. It will feel and accept that it is there by visualizing time existing. Stickiness of time to get twisted around the body, gravity of time to bend heavily, generation of inner time ... I want you to carry out vision of the feeling of time to exist and wrap us in as not a flow but the mass of linear time. |
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| 6/11mon~6/16satDiverse Cinema Week |
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| AYA IIDA | : | [running man] [psyche nippon]  <<running man>> the state of a man, which is expressed in the way that the conflict in daily life convert to running <<psyche nippon>> the image of four season in Japan composed by dots and ball (short piece) |
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| SHIN HOSOKAWA | : | [sniper] animation  
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| TEAM BARTON | : | [gizin (Mr. deodorant knife)] animation, experimental image   concept : hope to perceive by the people who feel a bit painful with conflict, lonely but funny, serious but humorous. hope to have fun in image that is consist of personification, letters and quasi-oil-painting |
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| 6/18mon~6/23satMultiple Works Week1 |
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| MITSUGU MIZOBATA | : | [ swing BRNK / an image device by individual physical rhythm using the principle of a pendulum ] installation  an object causing experienced and physical feelings work for integration of senses cut to pieces by technologization / digitization. The device causes visual stimulus by the movement of the swing (individual physical sense, rhythm). The succession of momentary images cause afterimages on the retina, and the audience experience the private nostalgy of a swing as flashback. HP@http://members.jcom.home.ne.jp/0715154801/ |
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| 6/25mon~6/30satMultiple Works Week2 |
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| YOHEI MINIURA | : | [that moment] moving installation   |