'99.5/3mon~5/22sat
AM11:00~PM7:00(sat~PM4:00)
In the virtual age of the present day,the drawing becomes the special expression territory,which was a rough sketch of the tableau only in the past.
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'99.5/3mon~5/22sat AM11:00~PM7:00(sat~PM4:00) In the virtual age of the present day,the drawing becomes the special expression territory,which was a rough sketch of the tableau only in the past. |
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[PART1]"Like drawing Breath" 5/3mon~5/8sat Drawing it to breathe every day. It is its live evidence. It is the answer and the act of passing own body. |
| AKIKO HAMA |
[march] |
| YUKA SHINOHARA |
[non title]
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| AIKO YAHARA |
[everyday things]
 I have a massege. I have a lot of lovely things. I really miss then all. Every day, Every day, and Every day. I'm spending misty longing for Matisse and Picasso. I wish...I belleve...so.... But in realy,it's too difficult to control every thing. I think that begining color is.... every thing start from.... .........WHITE. I'll give you my favorite word "let it be" That's all I wanna say. For you. From Aiko Yahara 99/4/20 |
| MAKI NISHIMURA |
[fu~]
 paper,CRAYON,iron etc....MIX |
| YOKO TUKIYAMA |
[UNTITLED]
 I'm insterested in "Lives". I want to express energy "LIves" and mysterious world like the universe that I feel in "Lives". /Acryl and Oil on paper/ I was born in 1965. Now, I'm studying oil painting at Kyoto Seka University. I like cells. |
| HIROE KOBAYASHI |
[cross world]
 oil color canvas Musashino-Art-University |
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[PART2]"Draw Words" 5/10mon~15sat Writing Words will be drawing in the age when a keyboard is struck. |
| MAYUMI ANZAI |
[UNTITLED]
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| YUKI YOKOTA |
[I walks someday in the town. I look at a distance.] |
| SHIGEKO HOSHIKAWA |
[For You.letters] |
| YUMI KIM |
[confession]
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| TSUYOSHI YAMASHITA |
[MOTHERiMUSIC)] |
| NAOKA TOYODA |
[things which sound in sound-less]
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[PART3]"Form drawing" 5/17mon~22sat It goes to the expression form that the method of Drawing charged with the contemporary new meenings. |
| KAZUKO HASHIMOTO |
[The Form which doesn't have a form] 1-The sand crest 2-mani mani 3-The tree mark 
 The point comes across the line and the line connect with the form. Only then, it looks for form "which doesn't have form" and it continues a color. When depending on the imege ,Looking for the meaning which, too doen't have to be enthusiastic. Finding the form which doesn't become a word. |
| RIHITO KUDO |
[sleep] |
| KOGA KEIKO |
[The wing which does a butterfly time]
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| MIHO YAGUCHI |
[UNTITLED]
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| ISAMU YAMAZOE |
[(182x152cm) One over another]
 The painting of hart transparent on the side of a wall./182~152cm/ *Don't speak a subject of my work. *Don't speak a message of my work. *Don't be carried away be the impulse the moment. *The work have reason and explain. But it isn't so important. *In the knowledge that. *I like a color,a feel,an air. Japanese paper,pen,Water colors,Varnish,Thread 1975 Born in Yokohama 1999 Tokyo Zoukei University a student. |
| MAIKO FUJIOKA |
[drawing]
 This desk looks like an ordinary desk. If you take a close look at it,You will see various thing occurring at many place. metal/cashiew 1975 Born in Saitama,Japan. 1995 Entered TAMA Art University. 1999 Graduated from TAMA Art University. |
| SATOKO TANIGUCHI |
[A Work of keeping me]
 papers,pen,threads,clothes,dyes,pins, Stitches of daily drawings "an experiment on my body" |
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